She hears. She feels.
It grows, though it’s not really there.
It’s lying.

The film focuses entirely on the character self exploring in a struggle with her own desires and body. As she obsessively tries to fill herself, it - the desire, the hole - takes more space, overtakes completely the woman. The line itself represents her changing behavior , starting from a rather stable line to an aggressive continuous stroke as her obsession grows stronger, intercut with shots of the matter moving inside of her. Concepts of maternity, body image and creation process do come across, and although directing to a visceral reaction the film is open to interpretation

Royal College of Art Debut Screening London UK 22.06.2016
MIAF Melbourne Australia 18-25 JUN 2017
LIAF UK 2017 Special Programme Abigail Addison